Choral Fair Thoughts

Gateway Chorus

Greetings readers!


I had the pleasure of attending Edmonton's first choral fair this past Sunday. First and foremost, I had no role in the planning or execution of this event so my observations are purely from an outsider's standpoint. Overall, I agree with the ideology of the event: educating and distributing information to prospective choristers about Edmonton choirs.


However, I felt that the event was more of a concert rather than a fair. Also, it would have been nice to see more choirs represented since the Choral Fair only had a sampling of all the choral offerings in the city. Of course, I understand this is definitely a logistical matter, to connect with all the choirs is not an easy endeavour. I definitely think that all Edmonton choirs should have an information booth but, perhaps, not all of them need to perform. There could be some that are chosen to perform live but others could simply have an information booth. Thus, the choirs that don't perform live could provide sound stations for people to listen to choir recordings.


Truthfully, I just felt there was too much live singing. Almost all choirs sang at least 3-4 songs, and while I understand it needs to be worthwhile to the choristers who have given their Sunday afternoon to perform, I felt like it should have been more of a "choral sampler" and not so much a mini concert provided by numerous choirs. An audiences' auditory attention has the tendency to wane, and from the time I arrived there at 2 pm to when I left at 4 pm, there was no break in singing. As well, the atmosphere wasn't really conducive to mingling or walking around while choirs were on stage. I believe the event would have benefitted from more down-time so prospective choristers could walk amongst the information booths without having to feel obligated to listen to the rotating choirs in the background.


I have to applaud the efforts of all the choirs that did perform. September is a scary time to perform because most choirs would have been lucky to have even one rehearsal before performing that early in their season. It also gave me a chance to hear a lot of choirs in one sitting. I heard "Vocal Alchemy" for the first time, listened to the vocal coaches for the E-town Boy and E-town minors perform, and saw the entertaining choralography of Sherwood Park's "Gateway Chorus." Other performing groups included A Joyful Noise, Ariose, Chanteuses, Edmonton Christian Male Choir, Edmonton Metropolitan Chorus, Edmonton Youth Choir, Lynne Singers, and Richard Eaton Singers.


Ultimately, this Choral Fair has the potential to be a great annual event. It shows great promise and I am sure it will continue to develop and improve to showcase more choral talent for Edmonton audiences. There really is a choir for everybody so it's great to have an event that strives to highlight choral options within the city.


Until next time, take care readers!

Vocal Alchemy

Edmonton Choral Fair

Greetings readers!

I just wanted to let you know about a free event that is happening in the Edmonton City Hall this Sunday, September 18, 2011 from 2-4:30 pm: The Edmonton Choral Fair.

If you have ever wanted to sing in an Edmonton Choir, but didn't know which one or where to begin, this will be an excellent event for you since you will have the chance to hear performances from some Edmonton choirs and there will be display booths, information, and sign-up sheets available as well for different groups in the city. 

There are choirs ranging from beginner to seasoned singers, from children to seniors, and from jazz to classical. It is quite the diverse range so it would be worthwhile to investigate since there is no other time in the year when it's so convenient to see the offerings of so many different choirs.

Choirs that will be performing include: A Joyful Noise, Ariose, Chanteuses, Edmonton Christian Male Choir, Edmonton Metropolitan Chorus, Edmonton Youth Choir, Gateway Chorus, Lynne Singers, Richard Eaton Singers, and Vocal Alchemy.

There will also be information regarding new choirs forming such as E-Town Boys and E-Town Minors, both being organized by Edmonton Metropolitan Chorus. As well as the new Gay Men's Chorus at the Alberta College Conservatory of Music.

I'll definitely be there so feel free to say hi or you can also follow my tweets.

Until next time, take care readers!

Back to Choir

 Greetings readers!

According to a cheesy stationery supply commercial: "It's most wonderful time of the year." It's back-to-school time! This year is a bit different for me since I'm finished all my courses for my program. I'm just finishing my thesis and getting ready for my clinical placement at the end of this month. However, some things don't change, and this year, it's the anticipatory buzz for choir to begin again.

I will be singing with Belle Canto and Pro Coro again this season. The other day I wrote down all the rehearsal dates and performance for both choirs. Although I was feeling short of breath looking at how busy my schedule was, I just took a deep breath, and remembered that it's going to be awesome. I thrive off of feeling productive so the more I pack in and am able to accomplish, the more I take on the following year. Since I was able to balance both Belle Canto and Pro Coro with a full course load last year, I rationalized that I could do the same and more this year. I have yet to reach my breaking point, but hopefully, it is not coming anytime soon. Until then, I will continue to walk a fine line with this chaotic balance that I have constructed for myself.

Here are some things I am looking forward to this upcoming choral season:

• The rehearsals and concerts of the three artistic director applicants for Pro Coro: Magen Soloman, Mark Bailey, and Michael Zaugg (and seeing who is chosen by the end of the season)
• The rural Alberta Pro Coro concerts in Red Deer and Camrose
• Singing Swedish choir music with Swedish conductor, Erik Westberg 
• A traditional chorister candelight procession at Christmas
• The Cantilon Broadway Gala where "Oliver!" will be performed
• Singing at Podium 2012 with Belle Canto in Ottawa

Of course, I'm sure there will be other musical things thrown into the mix that I just haven't arranged yet. Maybe I'll be able to fit in an audition in there or arrange a solo voice lesson to learn some new skills. I will leave those possibilities open, but just know that whatever I musically experience, I will post on this blog.

Just last year I didn't know if I would sing one or any of the concerts with Pro Coro, however, a season later and now I'm a core member. It's crazy what can change in a year! Over the past year, I've also been contacted for some freelance singing work and being a section leader. Pro Coro has really opened the door for singing opportunities for me.

At any rate dear readers, what are you all most looking forward to this upcoming season? Please post your thoughts in the comment section below.

Until next time, take care.

P.S. I hope you like my new layout!

Symphony in the Afternoon

Greetings readers!

It was a hot summer day on the final day of the Edmonton Symphony Under the Sky Festival. Although I was sweltering in my jeans and long-sleeved t-shirt dress, I enjoyed the sizzling weather nonetheless and was happy to see so many familiar faces (some of whom also happen to be blog readers-thanks Kate and Leanne!).

The Monday afternoon concert began with a dual offering of Gershwin with "An American in Paris," which is so wonderfully cheeky and "Rhapsody in Blue" with its amazing reedy glissando at the start of the piece. Pianist, Sarah Ho, played with an elegant and agile energy in "Rhapsody in Blue" and was gorgeous in her white asymmetrical gown.

Marquez's "Danzon No. 2" was definitely a repertoire surprise for me since I had never heard it but I loved its saucy percussive beat and the use of different orchestral textures. Especially the musical banter between the strings and brass section. The "Brazilian Fanfare" by Clarice Assad was also a nice survey piece of Brazilian musical genres.

 

Every year there is a young composer who debuts a piece at the festival and this year it was highschool student, Andrew Reid, with his work "Echoes of Time." It was a lovely atmospheric piece that could easily serve as a score for an upcoming movie. Tchaikovsky's "1812 Overture" wrapped up the festival, as is tradition, with canons from the 20th Field Regiment of the Royal Canadian Artillery. Once the canons start going off, the orchestral chimes signal the victory bells that are ringing and the audience joins in with their own percussion instruments from ringing bells to jiggling car keys. Since I forgot my bells, I decided to download a last-minute "Jingle Bells" app to join in. I have to admit, it definitely was not as resonant as a real bell.

The festival was fantastic this year with a record breaking number of over 12 000 seats sold! I just want to say a thank-you to the Edmonton Symphony Orchestra for continuing to put on an amazing labour day weekend festival and for Phil for arranging my blogging tickets. Do check out the upcoming concerts for the Edmonton Symphony Orchestra since the Symphony Under the Sky Festival is only the start to their musical offerings this season.

Until next time, take care readers!

Hollywood Night

Arrival

Greetings readers!

Last night was the Hollywood Night at the Symphony Under the Sky Festival. As predicted, it was packed! There were barely any spots of unclaimed grass seating so it was a fantastic seeing so many people there.

The program began with Hollywood film music from "E.T's Flying Theme," "Beauty and the Beast Suite," "Pirates of the Caribbean," (which I think was my favorite due to it's boisterous nature),  and the suite from "Batman." It's been a while since I've heard the Danny Elfman "Batman" theme and I still got that creepy vibe when the joker's demented waltz came on. Other evening highlights included the "Unchained Melody" and "The Wizard of Oz Suite," which I could hear audience members humming along to, and the gorgeously moving "Godfather" movie theme. One of the best parts of the evening? Seeing the audience so quiet and still while listening to the Godfather Theme.

Audience

There were also some unprogrammed highlights during the evening which included an impromptu guest appearance by Al Simmons who, complete with a handheld set of audience captions, urged the audience to "sing along" in advertisement for his concert on Sunday afternoon. At the end of the evening, I had my fingers crossed for an encore, which is traditionally expected at the Hollywood night of the festival, but I wasn't sure if they were going to bust out the Star Wars costumes and theme song as they have done in past years. This year they mixed it up with some Harry Potter "Hedwig's Theme" instead. You can do no wrong starting and ending the evening with John Williams.

Evening Sky

In the meantime, do check out the Edmonton Symphony Orchestra website for more details (there is another concert this Sunday afternoon and evening) and I will report back here after the final festival concert on Monday afternoon.

Until then, take care readers!

Symphony Under the Sky Begins

 

Greetings readers!

Evening one of Symphony Under the Sky has officially wrapped up. The first evening of the festival is always composed of classical program that is similar to the Masters series during the Edmonton Symphony Orchestra's regular subscription season. Tonight's program began with the Canadian national anthem, which the audience sang with increasing confidence as they gauged the acoustic offerings from neighboring voices.

Handel's "Water Music Suite" was a dainty and effervescent start to the festival with a rousing Allegro section. The Andante espressivo section was, well... andante and expressive. The excerpts ended with the familiar melody in the Allegro deciso section that is iconic of the "Water Music Suite."  

  

Mozart's "Concerto for Flute and Harp in C Major" was a highlight of the evening with fantastic performances from soloists Elizabeth Faulkner on flute and Nora Bumanis on harp. After the initial balance of the microphones was established, the gentle and feminine instrumental voices from the soloists were clearly heard above the sound of the Edmonton Symphony Orchestra. Faulkner had a lovely open tone which was further enhanced by Bumanis' cascading melodic lines. It was a lovely performance with many moments of acoustic familiarity which, I think, was appreciated by audience members who aren't as well-versed with the world of symphonic music.

The evening ended with Brahm's Symphony No. 2 in D Major which was accompanied with some rain during the second and third movements. However, it was nothing that an umbrella and raingear couldn't handle. It was actually nice to hear the wet, moody, patter of raindrops within the middle symphonic movements. The rain cleared out by the spirited final movement so people were able to view the rest of the performance without the obstruction of umbrellas. I wish I could comment more on the piece itself but, unfortunately, in conjunction with staying dry and warm, I have to admit my full concentration wasn't on the musical offerings. 

One of my favorite moments? It was seeing the sun set over the crowd.

 

Overall, it was a beautiful start to the festival and I look forward to the remaining performances this weekend. I know that the Saturday evening and Monday matinee performances tickets are not available online but there will be some available at the on-site box office before the performance. Please refer to their website for more information on box office times and tickets for all performances. You can also follow twitter updates from the festival at #yegSUTS

Until next time, take care and stay dry!

Symphony Under the Sky!

Greetings readers!

It's that time of the year again... the Symphony Under the Sky festival on labour day weekend September 2-5, 2011!

More than anything else, this festival has become a mother-daughter tradition in my family now. However, it wasn't always this way. My friend, Nadia, actually introduced me to the festival and we started out by volunteering. We sold Häagen-Dazs icecream bars from the cart, ushered concerts, and helped run the Teddy Bear picnic hospital. I wasn't much help with the latter position since I didn't possess any sewing skills. Thus, I was unable to mend the teddy bears brought to me. I could only deal with imaginary teddy bear flesh wounds by applying a band-aid on the affected area. 

Since that time, my sister, Sarah, and I have managed to turn our mother into a Symphony Under the Sky convert. This was definitely an experiment because my mother is not the outdoorsy type. She always wondered why Sarah and I would willingly sit outside and feed the mosquitoes at summer festivals. The first year she went to Symphony Under the Sky we thought it would be better to get her a reserved seat, however, she quickly discovered that the reserved seats do not possess the hammock-like comfort of a lawn chair. After that realization, we went to Canadian Tire and purchased some Hawaiian fabric lawn chairs. Oh, so classy. We've never looked back since. Year after year you can see us on the grass seating area lounging with our Harry Potter fleece blanket and tea thermos. It's also the only time of year when my mother indulges in western festival luxuries like jalapeno cheddar smokies and mini donuts.

This year will not disappoint as the Edmonton Symphony Orchestra has brought back conductor, Bob Bernhardt (his 6th year leading the festival!), to conduct the weekend concerts. Here's an overview of the concerts:

Friday, September 2, 2011 @ 7pm

Mozart, Handel, and Brahms... what's not to love? After the traditional playing of "O Canada," which signals the start of the festival, the program items for the evening will include: Mozart's "Concerto for Flute and Harp" showcasing the talents of the ESO's very own Elizabeth Faulkner and Nora Bumanis, Handel's "Water Music," and Brahm's "Second Symphony." A lovely way to kick off the festival with some symphonic classics.

Saturday, September 3, 2011 @ 2pm

A concert filled with Broadway classics from Andrew Lloyd Webber to Sondheim. Definitely a must-see if you're a Broadway music lover! It will also be an interesting concert since Strathcona Highschool's Les Misérables cast will be performing pieces with Edmonton-born Broadway singer, Susan Gilmour. It will be a lovely afternoon filled with music from West Side Story, Carousel, Phantom of the Opera and others.

Saturday, September 3, 2011 @ 7pm

By far my favorite evening out at the festival is the Hollywood Classics evening. There's just something magical about hearing the music from Hollywood movies in the darkened park while holding a hot beverage. The audience can expect to hear music from old Hollywood classics such as E.T. and the Wizard of Oz to modern day releases such as Pirates of the Caribbean and Batman. The Saturday night concert is always packed and for good reason.

Sunday, September 4, 2011 @ 7pm

The Sunday night performance is definitely the "Canadiana" evening out of the festival. This year it showcases the talent and tunes of Ian Tyson. His songs will include "Four Strong Winds" which is an Edmonton Folk Music Festival anthem, "Somewhere in the Rubies", "Love without End" et al. His charming cowboy twang is sure to ensnare the hearts of audiences that evening. Plus, I'm sure he'll wear his cowboy hat on stage.

Monday, September 5, 2011 @ 2pm

The Monday afternoon concert always has three elements:

1. A killer soloist

2. A world premiere by a young composer

3. Tchaikovsky's 1812 Overture complete with real canons from the Royal Canadian Artillery

This year those elements will include:
 

1. Sarah Ho playing Gershwin's "Rhapsody in Blue"

2. Andrew Reid premiering his debut piece "Echoes of Time"

3. Tchaikovsky's 1812 Overture complete with real canons from the Royal Canadian Artillery (as per usual)

This year's Symphony Under the Sky holds the promise of great music and soloists. If you haven't already got your ticket(s), I'd advise you to purchase them now since the shows have a tendency to sell-out. This festival really is the best way to spend the last festival weekend in Edmonton. All ticket details for weekend passes as well as individual shows can be found on their website. Prices range from $20-$39 for individual adults and $82-$125 for adult passes (depending on performance and seat location).

I hope to see some of you there! If you won't be able to make it, you can also follow me on Twitter or search for festival tweets with the hastag: #yegSUTS

You can also check out what the Edmonton Symphony Orchestra has lined up for their upcoming 2011-2012 season:

Until next time, take care readers!

Remembering Suzanne

On Friday I heard the tragic and unexpected news of the passing of a fellow chorister of mine: Suzanne Abele.

It's hard to know exactly what to feel or say in moments like this. An onslaught of self-reflections, what-if's, paralysis, anger, and guilt all seem to amalgamate into a web of confusing emotion. I still feel disbelief. I just saw her a few weeks ago at the Edmonton Folk Music Festival! How could she suddenly not be here anymore?

Suzie and I sang together in Chamber Choir together and I treated her like any one of the talented older choristers---with fear and awe. One can't help but be a little afraid and in love with the cooler older chorister. However, there was never a reason to fear Suzie because she was always so kind to my admiring chorister self. Suzie quickly moved onto other choral groups upon entering University while I finished up my years of highschool in Chamber Choir. Even though our choral pursuits did not overlap after Chamber Choir, I felt that my life ran parallel to hers in many ways. She sang in the University of Alberta Madrigal singers, and by the time I joined that choir, she had already left. However, we both continued to sing in different womens and mixed choirs in the city. I always admired her ability to pursue her scientific interests while maintaining her musical passions. It is a balance that I strive for as well and she served as a role model for me in that respect. It is a rarity to have a fellow Science Masters student singing with as much choral passion as I.

One thing that is really unique is hearing, reading, and seeing everybody's stories and photos with Suzie that are now surfacing. Andrea Vogel composed a lovely note about Suzie that documented her memories of her through the found objects in a bag Suzie had accidentally left behind. Each of these items reflected a different part of her character. From the container that held the homemade pie she made to the water bottle filled with wine. Everybody who came in contact with Suzie has their own way of remembering her. Some are substantial and some are brief; however, they all act as pieces in the mosaic of her life.

Of course, I immediately tried recalling my moments with Suzie. As if I was afraid that these memories would degrade if I didn't. I do not confess to be a close confidant of Suzie's, instead, I considered her to be a very dear musical acquaintance and role model of mine. I would always enjoy chatting with her at music receptions and concerts and she once confessed to me that she was a reader of this very blog. I remember brushing it off with an air of flustered modesty. I was humbled to think that she would find what I had written here on this blog of interest to her.

We had this unspoken acknowledgement of one another. When I would see her in passing we would exchange a few words, perhaps when she was getting her U-Pass from me at the CAB Infolink desk, or a warm smile and wave while I was sitting down at her folk music festival tarp--- that would be enough to catch both of us up. I also remember Suzie's surprise when a fellow soprano revealed a singing relaxation technique: the mental cueing of orgasmic sensations. We all burst out laughing!

As I reflect upon these previously mentioned moments, I do feel guilty for not having known her better, however, I realize it's impossible to connect with everybody you meet in life with the same amount of attention that they all deserve. All we can do is treat people with care and respect each time we see them. I am just thankful to have known her even though our time together was brief. I suppose that is all that we can do as we make our way through this difficult time: piecing together our collective memories to construct a supportive and therapeutic network.

So as the days pass until her memorial service this Wednesday conductor, John Brough, is assembling choristers who knew Suzie to sing at her mass on Wednesday morning. Please e-mail John: jsbrough(a)shaw.ca for more information and details before Wednesday, August 24, 2011.

Until next time, do take care dear readers. My heart can't bear it to lose any more of you.

Folk Fest Update

My, oh my, Folk Festival is a wonderful time of year.

I went into this year's Folk Fest not knowing any of the artists. In a way, that's really the best because I went in without any expectations. Just an open mind. I always manage to find artists that I like. My two stand-outs of this Folk Festival: Jeremy Fisher and Del Barber. Both are singer/songwriters from Canada. Fisher hails from Quebec and Barber is from Manitoba. 

Fisher has this quirky and wholesome stage presence which compliments nicely with his sing-as-you-speak performance style. Wearing his skinny artist jeans, comfy v-neck t-shirt, and his curly afro, he serenaded the audience with tunes such as "Shine a Little Light" or "Cigarette" or a love song incorporating tetris and math. What's not to love? Listen to some of his tunes here.

Barber has a bit more a biting wit to him with a Canadian prairie boy wholesomeness. As he confessed, where he comes from, it's all about three things: hockey, fishing, and women. Rocking a pair of jeans, a plaid shirt and his black Ray-Bans at the festival, he sang songs about his disappointment over Archie choosing Veronica over Betty, a Junior Mint mishap on a blind date, and a breakfast date break-up in Chicago. Barber is a skilled storyteller and it felt like I was listening to an episode of Stuart McLean's Vinyl Cafe as he accompanied his stories with guitar back-up. You can listen to some of his songs here.

Other enjoyable artists I took in at the Folk Festival?

Deer Tick-an engaging rock-folk band from Rhode Island

Delhi 2 Dublin-an electric fusion of Indian and Irish music styles. They had the hill dancing on their feet in no time!

Other favorite Folk Fest moments?

Walking in the lantern parade with friends.

Watching the candlelight illuminate the Folk Fest hill.

Until next year's Folk Fest!

Folk Fest 2011

Greetings readers!

It is that time of year again... it's summer music festival season! I missed the Edmonton Folk Music Festival last year since I was in Italy, but I'm back and ready as ever this year.

For those of you who may not be familiar with attending music festivals, an enjoyable aspect of it can come in the form of "Folk Fest Stalking". For more information on what I mean, please refer to a previous post on this subject matter.

I combed through the program last night and have been researching the performers for the past few weeks but I feel like the artist of my interest this weekend will be: Jeremy Fisher. I haven't heard him live yet, but after an evening session where he'll be performing tonight, I feel like I will have a better idea of what he's like to make an informed decision.

Last night was already a fantastic night of comparing program notes with fellow friends, dancing in candlelit to the Gipsy Kings, and catching up with family familiar faces on the hill. Folk Fest is definitely one of the best times of the year in Edmonton. Great music and great company!

I'll keep you all informed on my musical discoveries this weekend. You can also follow me on Twitter since I'll definitely be posting updates throughout the weekend!

Take care and enjoy the summer weather!

Wristbands of power

Captain America even came out to play

The Gipsy Kings on stage