Showing posts with label Ordo Collective. Show all posts
Showing posts with label Ordo Collective. Show all posts

Thursday, March 20, 2014

A Choir Girl's Weekend

Not every one of my weekends is like this but it seems that I have a trio culmination of performances. It's going to be a fantastic time spend with amazing musicians and collaborating with local Artists. Feel free to check out the details below:

Ordo Virtutum

The Ordo Collective is remounting the production of Hildegard von Bingen's Ordo Virtutum. 

Friday March 21st at 7:00 pm
Tegler Centre, Concordia University College of Alberta
7128 Ada Boulevard
Tickets $21 at the DOOR or online


Cory Christopher Spring: it's here!


Opera singers + Spring + Interactive floral Art installation and you have Cory Christopher's 
SPRING: it’s here event. See Cory's Instagram to get a peek into the inspirations for his exhibit this weekend. Come to hear some Opera works to get you in the mood for the opening of Edmonton Opera's Madama Butterfly on April 5, 2014.
 

March 22nd & 23rd
11 am – 9 pm
tix $12 + gst each
Spring: it's here tix available on Eventbrite

Madama Butterfly tickets available online from Edmonton Opera

Mini Opera performances at 2 PM and 7 PM on March 22, 2014. I'll be singing at 2 PM.


Pro Coro Canada's New Music Edmonton: Now Hear This Festival



Pro Coro Canada is bringing works performed at Soundstreams in Toronto for the Now Hear This New Music Edmonton Festival audiences.

Saturday March 22 at 8:30 PM
Holy Trinity Anglican Church (10037 84th ave.)
Tickets from Tix on the Square
Here the Sounds Go Round – R. Murray Schafer
Magic Songs – R. Murray Schafer
Missa Brevis (selections) – Mathew Emery

Sunday, December 30, 2012

A Choral Reflection


There is something to be said for reconnecting with people that put you at complete ease. Yesterday, for the first time in five years, my closest choral companions from my teenage a cappella ensemble, Con Fuoco, reunited for an evening. As we each took turns to provide verbal updates in a round table manner, I just kept thinking how inspiring it was to listen to the paths that some of my friends have chosen. They are diverse and unique but the commonality was that they were completely true to that person's character. Their overall life trajectory appears organic to me as a third-party observer.

It also made me think of what our teenage selves would have thought if they were able to evaluate ten year older versions of themselves. One fellow choir girl remarked how she remembers drafting Plan's A-C and how some of them included aspirations for choral conducting training. She gave a laugh of amusement at how utterly inappropriate that would be for her now. It is amazing to see what predictions form when you're forecasting the future in the formative stages of adulthood. I, too, would be shocked at how I have turned out so far. I had one main career aspiration as an overachieving teen: Medical School.

The desire wasn't motivated by any cultural pressure. My parents watched on in silence as I self-motivated myself through a full courseload of an academically-oriented program. They chose to stay out of my path of academic frenzy when I made conscious choices to forgo Halloween festivities in order to finish a Styrofoam model of a eukaryotic cell or when I started video taping for an English class project when there was a school hiatus from a teacher's strike. In University, I realized that it wasn't so much the actual dream of "Medical School" that had enticed me, but the prospect of helping people. It was difficult to realize that there are multiple options to reach this goal with my limited teenage worldview. In the early years of my undergrad, I had these thoughts when I was still convincing myself of my Medical School aspirations.

"I'm in a perpetual state of stress. I'm not enjoying my courses. I'm not doing that well in them. This sucks."

During this time, I wasn't singing regularly. I was still in Belle Canto, but after a few weeks of missed rehearsal, I was starting to feel the emotional imbalance as I had no outlet for all of these negative feelings.

As I reflected on this last night, I realized that even if I was in Medical School at this very moment in time, I know, for a fact, that I would not be singing as much as I do now. While I understand that sacrifices must be made in order to pursue career aspirations.... I do not wish to compromise doing the things I love. I am also allowed to love doing more than one thing. That includes singing in choir. It is a component of my life that more than just a frivolous leisure activity. At this point in time, my Speech Pathology and choral interests have equal priority.

I've done a mental review of my blogging year; it's staggering to see the creative explosion of content I've generated through the blog this year. I had more opportunities to sing in new ensembles in the city which included my concert with the Scona Singers and the Ordo Collective. The latter providing me the opportunity to tour to Victoria and Vancouver to perform the work. I survived the Pro Coro audition process under the direction of Pro Coro's newly appointed artistic director, Michael Zaugg. I also began writing for Sound + Noise after editor-in-chief, Michael MacDonald, contacted me via Twitter to attend a meeting. There is something to be said for meeting a mentor at the right point in time. MacDonald was the one who encouraged me to do interviews and social media coverage of the Podium 2012 choral conference in Ottawa since I was going there anyway with Belle Canto. This shaped my social media experience at the conference and gave me the confidence to dream big with my blog. As a result, I have a series of Podium posts and interviews with conductors, Heather Johnson, Ivars Taurins, Hilary Apfelstadt, Lydia Adams, and Michael Zaugg to add to my archives. My Podium 2012 coverage also led to my first paper print article in the Fall version of Choral Canada's "Anacrusis" Journal. As well, my blog garnered some local media attention for the first time in an Edmonton Sun article. My studies at the Summer Vocology Institute in Salt Lake City inspired some voice science posts as well.

To say that 2012 has been a great speechie, singing, and blogging year is an understatement. In some ways, I wonder if I have peaked given the burst of opportunity that I have been presented with this past year. No matter what, I am certain if my teenage self had to reevaluate my current path, she would initially be surprised but proud that I have not compromised either my career aspirations or musical passion. I have developed a multi-faceted area of interests such as voice science, rehabilitation, choral singing, and blogging and, by doing the things I enjoy, I have somehow formed a life template that incorporates all of my interests.

Thank-you to all of my readers this past year. I hope to bring you more inspired content in 2013.

Con Fuoco Reunited


My favorite blog posts of 2012:

What do Choristers Do?

My inaugural post for Sound + Noise and my chance to introduce myself to new audiences in a refreshing format.

The Culture of Fear

A post that challenged me to evaluate what I find fulfilling in past choral relationships and my personal feelings on how this has shaped me into the performer I am today.

A Vocal Diagnosis

A post incorporating my approach to voice rehabilitation and how this extends to vocal pedagogy.

Painting the Nightingale

This post resulted after I came home from Pro Coro rehearsal and could not sleep because I was too buzzed. The rehearsal process for Praulin's "The Nightingale" was utterly consuming and rewarding. I have been waiting a long time to sing music like this. As well, receiving a personal message from Praulins himself in response to my post was a choir girl highlight.

Sunday, September 23, 2012

Virtues on the West Coast


Greetings readers,

My weekend with the Ordo Collective was surreal in so many ways. First of all, I have never had a travel grant cover my trip (Thank-you to the Edmonton Arts Council!). It was a novel experience to be supported and recognized as a musician in monetary form while traveling. The quick two-day trip made me feel like a transient professional. One day I'm working in the clinic, and the next day, I'm in a different city catching up with choir friends and singing in a gorgeous church. It is amazing how friends and musical connections with audiences make an unfamiliar location feel instantly like home.

After a quick flight from Vancouver to Victoria I walked out of the plane breathing in the ocean air. There is something about being on an island that makes me go into vacation mode. You immediately feel like leading an unstructured lifestyle. There was a moment of I-can't-believe-I-was-in-Edmonton-this-morning-and-now-I'm-here. I spent a leisurely afternoon reconnecting with a choir friend currently living in Victoria, browsing tea and chocolate shops in downtown Victoria, and smelling the flowers at the Empress hotel.



Later the Ordo ladies head to St. John The Divine for a dress rehearsal. The venue was beautiful: stone walls, long aisles, and a grand spacious stage at the front. The passion of the Ordo organizers, Eva and Gwen, is unparallelled. Eva flew out a day earlier to scout out the church location and arrange details. It is a luxury to just show up and sing without having to personally set up and tear down the stage. When we arrived we just needed to walk onto stage.  We also discovered Eva had supplied a fully stocked fridge since we didn't have enough time before our performance to hunt for sustenance. The only thing the singers had to do was bring programs from Edmonton. We were all given a generous stack of programs to carry, which just further highlights the passion of the Ordo organizers, because just like with the food, they wished to supply a surplus of programs for the audience. It is staggering to witness such love in a project. It made my early wake-up times and post-travel lethargy totally worth it.

St. John the Divine, Victoria BC

Another interesting thing when you're on tour with any group is the personalities that surface. Oftentimes, you get glimpses of people's true character in your daily interactions with them; however, these individual quirks always come to the forefront when you're traveling. It was interesting to see ladies oftentimes stressed with their busy Edmonton schedules wear a perma-smile of contentment while breathing in the humid West Coast breeze. It was also interesting to see the sensitivity levels and passive-aggressive responses of ladies of those dealing with the compounding fatigue of the weekend. What travel character am I? I like to think of myself as a chill explorer. Equipped with my phone apps like Urbanspoon and Fourquare, I am ready to wander and discover local events and coffee shops but I also know not to let small unorganized details get to me. I don't feel like it is a good use of my mental energy to negatively reflect upon a situation I have no control over.

Christ Church, Vancouver BC


Overall, The Ordo Collective had a fantastc weekend in Victoria and Vancouver. It was filled with gorgeous music, magical venues, and familiar choral faces in the audience. If every weekend was like this I would probably burn-out from sheer happiness.

Until next time readers, take care!

Thursday, September 6, 2012

A New Choir Girl Season


Greetings readers,

Is is the start of a new musical season and it is going to be a busy one. I have already started rehearsals with the Ordo Collective. Next weekend, I will be reprising my role as the Virtue of Charity and Modesty in Victoria and Vancouver on Sept 15 & 16. Clearly, I performed adequately enough in the Spring to participate in this project yet again. Furthermore, I received an Edmonton Arts Council Travel Grant to participate in this project! A Choir Girl receiving arts funding? I feel like a true artist now.

Pro Coro rehearsals also begin tomorrow evening. I'm sure I will have many colourful posts to provide throughout the process. Pro Coro will be singing the Canadian premiere of Praulins's "The Nightingale." It is a work that is terrifying and amazing at the same time. I know it must be good when it elicits such a strong reaction. One of my music friends laughed in shock when she saw this on the front of one of the movements: "SSSSSAAAATTTTTBBBBB"

As well, there is a bit of a change for me this choral year. I will not be singing with my women's choir, Belle Canto. This is a significant change for me. I have been singing with the Cantilon Choral program for 12 years. I began in the Chamber Choir and joined Belle Canto when I started University. It was a decision motivated by multiple factors. One being that it is always good to have a change. I will be singing with The Edmonton Opera Chorus for their production of Tales of Hoffman so that will definitely be a new experience for me. Staging, make-up, costumes, wigs, operatic singing... this will be a new world for me. Additionally, the Pro Coro schedule season is not for a choral lightweight. It is going to require a significant amount of physical and mental stamina, however, I'm excited to develop my musicianship skills in this particular choral setting. In no way does my absence from Belle Canto this year mean that I will never return. This year is an experiment to see what my choral year looks like when I work on other projects.

What are you up to this season? Let me know in the comments section! Until next time readers, take care!

Monday, April 23, 2012

An Ordo Weekend


Greetings readers,

What I weekend I had performing with the Ordo Collective! We performed in Calgary on Saturday and in Edmonton on Sunday. On Saturday morning, I hopped into a van with 11 other people and off we went to Calgary. Snugly packed 3 singers to a bench, we chatted, ate our lunch, and rehearsed our music. It was a nice bonding experience with a group of ladies who were mostly strangers to me last week. Upon our arrival in to Christ Church in Calgary, we were greeted with friendly faces and a gorgeous church.


Soon after our arrival, a familiar face greeted us, a fellow singer from my University of Alberta Madrigal Singer's choir days. We needed some male voices to be the "patriarchs" and he was recruited by our director. The following 1.5 h hours were spent to re-block some of our movement with the change in the space and have a solid run of the entire work since we had rehearsed most of it in sections during rehearsals with lots of stops and starts. We didn't have much time after the run before the concert that evening. The actual concert was very exciting to be a part of. By far, it was the most solo-heavy ensemble work I've ever done. I was glad to not have any major blips. A week after starting the rehearsal process and learning the music from scratch, I somehow managed to memorize my virtue solos. I knew it was important for me to get off the page since we were performing it as a play and not just a musical work.

Following a late night ride back to Edmonton, I crashed as soon as I got home, and woke up 2.5 hours before the call time. Still feeling groggy upon arrival at the Providence Centre, I perked up when I saw the illuminated stained glass in the chapel.

 

I could tell that I wasn't only feeling the aftermath from the late night commute. However, it was worth it to see the retired nuns sitting in the balcony of the chapel watching our performance and many audience members listening to our performance with closed eyes and a smile on their face. Although I corrected some of my vocal blips from Saturday's performance, during my last solo at the end of a solid 1.5h of singing, I could definitely feel my voice fatiguing. Clearly, it's been a while since I've had to undergo a weekend requiring this amount of vocal and mental stamina.

Overall, singing as a part of the Ordo Collective was such a unique experience since it required not only vocal skills but dramatic performance skills. I've never performed/sung a morality play before! It was lovely to see some familiar faces in the audience and share our music with grateful ears. Now to recuperate this week after a performance-heavy past two weeks. Oh wait, it's Pro Coro audition time. Perhaps in May then.

Until next time readers, take care!

Thursday, April 19, 2012

Navigating the Virtues


Greetings readers,

In addition to general Pro Coro commitments, I have also been singing with The Ordo Collective, which is led by Eva Bostrand. In the fall, they performed Hildegard von Bingen's "Ordo virtutum" (translation: "The Way of the Virtues") and now they have reassembled the collective with some new substitutions (myself included) to perform in Calgary and Edmonton this coming weekend. Hildegard von Bingen was a nun who, in addition to her nunly duties, also happened to compose music and have the occasional divine vision. That's how choir girls used to keep busy in the 1100's.

Hildegard's "Ordo virtutum" is an early morality play which documents the temptation of the female soul (aka: Anima) by the Devil and there are 12 singers to play the "Virtues" (e.g. Chastity, Humility, Innocence etc.) to provide the lady-soul moral back-up. You may be wondering which virtues I get to play, in fact, I am "Charity" and "Modesty". I will leave that up to you, dear readers, to decide if that is fitting or not.

In terms of the rehearsal process, all I can say is that the first rehearsal was intense. Since I was one of the few choral newbies in a group with only 12 singers... I was scrambling to write pronunciation exceptions, breath marks, solo assignments, extra notes etc. as we read through the entire work. Thank goodness for friendly choral neighbours! The sound of my panicked page turns definitely rustled throughout the room. During the first run-through, it felt like every other page I had a surprise solo or I was in charge of leading the chant lines. The unison chant lines are unique in that a specific member vocally leads the group and decides where breaths are taken, how long to hold notes, supply rhythm changes etc. This role within the group is affectionately referred to as "Simon," inspired by the classic "Simon Says." Leading the group was definitely a different and challenging experience. While you don't want to leave people behind, you need to move the line forwards to keep musical momentum going. At one point during the second rehearsal, I was waiting for the line to start before I realized that everybody was looking for me to take the lead. Oops!

I find that the only way to get through slightly intense experiences like this is just to maintain a positive attitude, be open to trying anything (yes, I will sightread that solo for everybody right now!), and put in the time to figure things out at home. I am happy to report that with each rehearsal I feel exponentially more confident. This is a good thing since the next time I'll see everyone will be on performance day in Calgary. The run-through tonight was at the Providence Centre in Edmonton, a gorgeous location tucked away in a lush green pocket of Edmonton. What an appropriate setting for the music! There also are retired nuns living there who contribute to inner-city outreach programs. How cool is that?!? I think Hildegard would approve.

To learn more information about this performance, feel free to view this promotional video:


Performances:
April 21, 2012 Christ Church, Calgary @730 PM (Tickets available at the door).
April 22, 2012 Providence Centre Chapel, Edmonton @3 PM (Tickets available online and at the door).

Until next time readers, take care!