It was a hot summer day on the final day of the Edmonton Symphony Under the Sky Festival. Although I was sweltering in my jeans and long-sleeved t-shirt dress, I enjoyed the sizzling weather nonetheless and was happy to see so many familiar faces (some of whom also happen to be blog readers-thanks Kate and Leanne!).
The Monday afternoon concert began with a dual offering of Gershwin with "An American in Paris," which is so wonderfully cheeky and "Rhapsody in Blue" with its amazing reedy glissando at the start of the piece. Pianist, Sarah Ho, played with an elegant and agile energy in "Rhapsody in Blue" and was gorgeous in her white asymmetrical gown.
Marquez's "Danzon No. 2" was definitely a repertoire surprise for me since I had never heard it but I loved its saucy percussive beat and the use of different orchestral textures. Especially the musical banter between the strings and brass section. The "Brazilian Fanfare" by Clarice Assad was also a nice survey piece of Brazilian musical genres.
Every year there is a young composer who debuts a piece at the festival and this year it was highschool student, Andrew Reid, with his work "Echoes of Time." It was a lovely atmospheric piece that could easily serve as a score for an upcoming movie. Tchaikovsky's "1812 Overture" wrapped up the festival, as is tradition, with canons from the 20th Field Regiment of the Royal Canadian Artillery. Once the canons start going off, the orchestral chimes signal the victory bells that are ringing and the audience joins in with their own percussion instruments from ringing bells to jiggling car keys. Since I forgot my bells, I decided to download a last-minute "Jingle Bells" app to join in. I have to admit, it definitely was not as resonant as a real bell.
Last night was the Hollywood Night at the Symphony Under the Sky Festival. As predicted, it was packed! There were barely any spots of unclaimed grass seating so it was a fantastic seeing so many people there.
The program began with Hollywood film music from "E.T's Flying Theme," "Beauty and the Beast Suite," "Pirates of the Caribbean," (which I think was my favorite due to it's boisterous nature), and the suite from "Batman." It's been a while since I've heard the Danny Elfman "Batman" theme and I still got that creepy vibe when the joker's demented waltz came on. Other evening highlights included the "Unchained Melody" and "The Wizard of Oz Suite," which I could hear audience members humming along to, and the gorgeously moving "Godfather" movie theme. One of the best parts of the evening? Seeing the audience so quiet and still while listening to the Godfather Theme.
Audience
There were also some unprogrammed highlights during the evening which included an impromptu guest appearance by Al Simmons who, complete with a handheld set of audience captions, urged the audience to "sing along" in advertisement for his concert on Sunday afternoon. At the end of the evening, I had my fingers crossed for an encore, which is traditionally expected at the Hollywood night of the festival, but I wasn't sure if they were going to bust out the Star Wars costumes and theme song as they have done in past years. This year they mixed it up with some Harry Potter "Hedwig's Theme" instead. You can do no wrong starting and ending the evening with John Williams.
Evening Sky
In the meantime, do check out the Edmonton Symphony Orchestra website for more details (there is another concert this Sunday afternoon and evening) and I will report back here after the final festival concert on Monday afternoon.
Evening one of Symphony Under the Sky has officially wrapped up. The first evening of the festival is always composed of classical program that is similar to the Masters series during the Edmonton Symphony Orchestra's regular subscription season. Tonight's program began with the Canadian national anthem, which the audience sang with increasing confidence as they gauged the acoustic offerings from neighboring voices.
Handel's "Water Music Suite" was a dainty and effervescent start to the
festival with a rousing Allegro section. The Andante espressivo section
was, well... andante and expressive. The excerpts ended with the familiar melody in the Allegro deciso section that is
iconic of the "Water Music Suite."
Mozart's "Concerto for Flute and Harp in C Major" was a highlight of the evening with fantastic performances from soloists Elizabeth Faulkner on flute and Nora Bumanis on harp. After the initial balance of the microphones was established, the gentle and feminine instrumental voices from the soloists were clearly heard above the sound of the Edmonton Symphony Orchestra. Faulkner had a lovely open tone which was further enhanced by Bumanis' cascading melodic lines. It was a lovely performance with many moments of acoustic familiarity which, I think, was appreciated by audience members who aren't as well-versed with the world of symphonic music.
The evening ended with Brahm's Symphony No. 2 in D Major which was accompanied with some rain during the second and third movements. However, it was nothing that an umbrella and raingear couldn't handle. It was actually nice to hear the wet, moody, patter of raindrops within the middle symphonic movements. The rain cleared out by the spirited final movement so people were able to view the rest of the performance without the obstruction of umbrellas. I wish I could comment more on the piece itself but, unfortunately, in conjunction with staying dry and warm, I have to admit my full concentration wasn't on the musical offerings.
One of my favorite moments? It was seeing the sun set over the crowd.
Overall, it was a beautiful start to the festival and I look forward to the remaining performances this weekend. I know that the Saturday evening and Monday matinee performances tickets are not available online but there will be some available at the on-site box office before the performance. Please refer to their website for more information on box office times and tickets for all performances. You can also follow twitter updates from the festival at #yegSUTS
More than anything else, this festival has become a mother-daughter tradition in my family now. However, it wasn't always this way. My friend, Nadia, actually introduced me to the festival and we started out by volunteering. We sold Häagen-Dazs icecream bars from the cart, ushered concerts, and helped run the Teddy Bear picnic hospital. I wasn't much help with the latter position since I didn't possess any sewing skills. Thus, I was unable to mend the teddy bears brought to me. I could only deal with imaginary teddy bear flesh wounds by applying a band-aid on the affected area.
Since that time, my sister, Sarah, and I have managed to turn our mother into a Symphony Under the Sky convert. This was definitely an experiment because my mother is not the outdoorsy type. She always wondered why Sarah and I would willingly sit outside and feed the mosquitoes at summer festivals. The first year she went to Symphony Under the Sky we thought it would be better to get her a reserved seat, however, she quickly discovered that the reserved seats do not possess the hammock-like comfort of a lawn chair. After that realization, we went to Canadian Tire and purchased some Hawaiian fabric lawn chairs. Oh, so classy. We've never looked back since. Year after year you can see us on the grass seating area lounging with our Harry Potter fleece blanket and tea thermos. It's also the only time of year when my mother indulges in western festival luxuries like jalapeno cheddar smokies and mini donuts.
This year will not disappoint as the Edmonton Symphony Orchestra has brought back conductor, Bob Bernhardt (his 6th year leading the festival!), to conduct the weekend concerts. Here's an overview of the concerts:
Friday, September 2, 2011 @ 7pm
Mozart, Handel, and Brahms... what's not to love?After the traditional playing of "O Canada," which signals the start of the festival, the program items for the evening will include: Mozart's "Concerto for Flute and Harp" showcasing the talents of the ESO's very own Elizabeth Faulkner and Nora Bumanis, Handel's "Water Music," and Brahm's "Second Symphony." A lovely way to kick off the festival with some symphonic classics.
Saturday, September 3, 2011 @ 2pm
A concert filled with Broadway classics from Andrew Lloyd Webber to Sondheim. Definitely a must-see if you're a Broadway music lover! It will also be an interesting concert since Strathcona Highschool's Les Misérables cast will be performing pieces with Edmonton-born Broadway singer, Susan Gilmour. It will be a lovely afternoon filled with music from West Side Story, Carousel, Phantom of the Opera and others.
Saturday, September 3, 2011 @ 7pm
By far my favorite evening out at the festival is the Hollywood Classics evening. There's just something magical about hearing the music from Hollywood movies in the darkened park while holding a hot beverage. The audience can expect to hear music from old Hollywood classics such as E.T. and the Wizard of Oz to modern day releases such as Pirates of the Caribbean and Batman. The Saturday night concert is always packed and for good reason.
Sunday, September 4, 2011 @ 7pm
The Sunday night performance is definitely the "Canadiana" evening out of the festival. This year it showcases the talent and tunes of Ian Tyson. His songs will include "Four Strong Winds" which is an Edmonton Folk Music Festival anthem, "Somewhere in the Rubies", "Love without End" et al. His charming cowboy twang is sure to ensnare the hearts of audiences that evening. Plus, I'm sure he'll wear his cowboy hat on stage.
Monday, September 5, 2011 @ 2pm
The Monday afternoon concert always has three elements:
1. A killer soloist
2. A world premiere by a young composer
3. Tchaikovsky's 1812 Overture complete with real canons from the Royal Canadian Artillery
This year those elements will include:
1. Sarah Ho playing Gershwin's "Rhapsody in Blue"
2. Andrew Reid premiering his debut piece "Echoes of Time"
3. Tchaikovsky's 1812 Overture complete with real canons from the Royal Canadian Artillery (as per usual)
This year's Symphony Under the Sky holds the promise of great music and soloists. If you haven't already got your ticket(s), I'd advise you to purchase them now since the shows have a tendency to sell-out. This festival really is the best way to spend the last festival weekend in Edmonton. All ticket details for weekend passes as well as individual shows can be found on their website. Prices range from $20-$39 for individual adults and $82-$125 for adult passes (depending on performance and seat location).
I hope to see some of you there! If you won't be able to make it, you can also follow me on Twitter or search for festival tweets with the hastag: #yegSUTS
You can also check out what the Edmonton Symphony Orchestra has lined up for their upcoming 2011-2012 season:
It's hard to know exactly what to feel or say in moments like this. An onslaught of self-reflections, what-if's, paralysis, anger, and guilt all seem to amalgamate into a web of confusing emotion. I still feel disbelief. I just saw her a few weeks ago at the Edmonton Folk Music Festival! How could she suddenly not be here anymore?
Suzie and I sang together in Chamber Choir together and I treated her like any one of the talented older choristers---with fear and awe. One can't help but be a little afraid and in love with the cooler older chorister. However, there was never a reason to fear Suzie because she was always so kind to my admiring chorister self. Suzie quickly moved onto other choral groups upon entering University while I finished up my years of highschool in Chamber Choir. Even though our choral pursuits did not overlap after Chamber Choir, I felt that my life ran parallel to hers in many ways. She sang in the University of Alberta Madrigal singers, and by the time I joined that choir, she had already left. However, we both continued to sing in different womens and mixed choirs in the city. I always admired her ability to pursue her scientific interests while maintaining her musical passions. It is a balance that I strive for as well and she served as a role model for me in that respect. It is a rarity to have a fellow Science Masters student singing with as much choral passion as I.
One thing that is really unique is hearing, reading, and seeing everybody's stories and photos with Suzie that are now surfacing. Andrea Vogel composed a lovely note about Suzie that documented her memories of her through the found objects in a bag Suzie had accidentally left behind. Each of these items reflected a different part of her character. From the container that held the homemade pie she made to the water bottle filled with wine. Everybody who came in contact with Suzie has their own way of remembering her. Some are substantial and some are brief; however, they all act as pieces in the mosaic of her life.
Of course, I immediately tried recalling my moments with Suzie. As if I was afraid that these memories would degrade if I didn't. I do not confess to be a close confidant of Suzie's, instead, I considered her to be a very dear musical acquaintance and role model of mine. I would always enjoy chatting with her at music receptions and concerts and she once confessed to me that she was a reader of this very blog. I remember brushing it off with an air of flustered modesty. I was humbled to think that she would find what I had written here on this blog of interest to her.
We had this unspoken acknowledgement of one another. When I would see her in passing we would exchange a few words, perhaps when she was getting her U-Pass from me at the CAB Infolink desk, or a warm smile and wave while I was sitting down at her folk music festival tarp--- that would be enough to catch both of us up. I also remember Suzie's surprise when a fellow soprano revealed a singing relaxation technique: the mental cueing of orgasmic sensations. We all burst out laughing!
As I reflect upon these previously mentioned moments, I do feel guilty for not having known her better, however, I realize it's impossible to connect with everybody you meet in life with the same amount of attention that they all deserve. All we can do is treat people with care and respect each time we see them. I am just thankful to have known her even though our time together was brief. I suppose that is all that we can do as we make our way through this difficult time: piecing together our collective memories to construct a supportive and therapeutic network.
So as the days pass until her memorial service this Wednesday conductor, John Brough, is assembling choristers who knew Suzie to sing at her mass on Wednesday morning. Please e-mail John: jsbrough(a)shaw.ca for more information and details before Wednesday, August 24, 2011.
Until next time, do take care dear readers. My heart can't bear it to lose any more of you.
My, oh my, Folk Festival is a wonderful time of year.
I went into this year's Folk Fest not knowing any of the artists. In a way, that's really the best because I went in without any expectations. Just an open mind. I always manage to find artists that I like. My two stand-outs of this Folk Festival: Jeremy Fisher and Del Barber. Both are singer/songwriters from Canada. Fisher hails from Quebec and Barber is from Manitoba.
Fisher has this quirky and wholesome stage presence which compliments nicely with his sing-as-you-speak performance style. Wearing his skinny artist jeans, comfy v-neck t-shirt, and his curly afro, he serenaded the audience with tunes such as "Shine a Little Light" or "Cigarette" or a love song incorporating tetris and math. What's not to love? Listen to some of his tunes here.
Barber has a bit more a biting wit to him with a Canadian prairie boy wholesomeness. As he confessed, where he comes from, it's all about three things: hockey, fishing, and women. Rocking a pair of jeans, a plaid shirt and his black Ray-Bans at the festival, he sang songs about his disappointment over Archie choosing Veronica over Betty, a Junior Mint mishap on a blind date, and a breakfast date break-up in Chicago. Barber is a skilled storyteller and it felt like I was listening to an episode of Stuart McLean's Vinyl Cafe as he accompanied his stories with guitar back-up. You can listen to some of his songs here.
Other enjoyable artists I took in at the Folk Festival?
Deer Tick-an engaging rock-folk band from Rhode Island
Delhi 2 Dublin-an electric fusion of Indian and Irish music styles. They had the hill dancing on their feet in no time!
Other favorite Folk Fest moments?
Walking in the lantern parade with friends.
Watching the candlelight illuminate the Folk Fest hill.
It is that time of year again... it's summer music festival season! I missed the Edmonton Folk Music Festival last year since I was in Italy, but I'm back and ready as ever this year.
I combed through the program last night and have been researching the performers for the past few weeks but I feel like the artist of my interest this weekend will be: Jeremy Fisher. I haven't heard him live yet, but after an evening session where he'll be performing tonight, I feel like I will have a better idea of what he's like to make an informed decision.
Last night was already a fantastic night of comparing program notes with fellow friends, dancing in candlelit to the Gipsy Kings, and catching up with family familiar faces on the hill. Folk Fest is definitely one of the best times of the year in Edmonton. Great music and great company!
I'll keep you all informed on my musical discoveries this weekend. You can also follow me on Twitter since I'll definitely be posting updates throughout the weekend!
Summer is a quiet time for me as a chorister. While my more musically devoted friends are spending the time touring with their choirs and attending summer music programs, I am back at home finishing my thesis. All is fine and well since I know I have a busy choral season ahead of me as Pro Coro is auditioning three new artistic directors with consecutive concerts in the Fall months and Belle Canto will be back in rehearsals.
Until that time, however, I have very little musical choral inspiration these days. The Chamber Choir I was previously in has returned from the Wales Eisteddfod with some shiny new trophies and we also heard news that Belle Canto won the Equal Voices Women's Choir category at the National Competition for Canadian Amateur Choirs. I feel a bit of disconnected with the latter trophy since this competition has manifested itself into different forms over the past few years. It used to be hosted by the Canadian Broadcasting Corporation Choral Concert program and making it into the final round would require a live-radio sing-off with the competing choir. We would be singing in Edmonton and our rival choir would be singing in Toronto. That was awesome. No second takes and live-to-air broadcast. However, that is no longer the case. Now you just need to submit one recording and it you make it through the semi-finals your recording gets forwarded to the finals round committee. It does save the choir some work though since we no longer need to assemble for a final round in the middle of May. I just think the win doesn't seem as satisfying when we're not competing live.
That is all the choir updates I have for now. I am thoroughly looking forward to the Symphony Under the Sky Music Festival that will be happening at the start of September and will definitely be attending some shows. I'll write more preview posts once that arrives!
I must say a huge amount of congratulations to the choir of my teenage years: The Cantilon Chamber Choir for winning first place in the Youth Choir category at the Llangollen Music Eisteddfod in Wales this year! I saw that they also managed to snag second place for the Female Choirs category as well. Very nicely done.
How far technology has come since the years that I performed in this very same festival. All there was in 2003 was a slowly updated website with photos that linked to an expensive photo purchase site. Not very exciting. I was impressed with the social media presence of the festival. Also, they have all the video media from the festival streaming on their website! It's is great for people like me who can't attend the festival but who want to hear what's going on. It's a bit of deja vu watching their performances since I've sung most of the pieces and have worn that very same uniform on that stage. There was one point when they were singing "Hosanna" in the Senior Children's Choir category and it was like I was on the stage with them. I could breathe the humid air, smell the sweet scent from the fresh flowers that lined the stage, and see the haze of the audience underneath the amphitheater tent stage lights. Although I do not recognize many of the faces there, it's comforting and exciting to see the new generation of the choirs' singers.
It also appears that the "Choir of the World" award goes to the Adventist University of the Philippines. I listened to their Choir of the World competition piece. Typical sacred Latin text set to music. It's very nicely done but I would have loved to have heard something with a bit more musical character. It felt like a safe choice. Listening to choirs at an international festival is the time to get inspired by wonderful choral pieces and have a chance to hear things I haven't heard before. I wasn't particularly moved by their choice in repertoire. Take a listen and tell me what you think.
Also, you can bet that I'm going to be combing through the video archives listening to the other choirs. If I find anything that sparks my attention, I'll be sure to post it here. If you find something that is interesting feel free to post it in the comments below!
What's one step towards becoming a legitimate artist?
For me... it's composing a biography. I've always attributed biographies to people who have credentials. A section where an artist can list their schooling, accomplishments, hopes, dreams etc. in an eloquent and informative paragraph.
What about for somebody who doesn't see themselves as having credentials?
A few weeks ago I received an e-mail from Pro Coro stating that they were looking to compile biographies and headshots. First thing that went through my mind?
"Oh, no. People will discover what a complete professional chorister fraud I am."
I do not have a PhD in choral conducting, a Masters in Voice performance, or even a Bachelors in Fine Arts. Frankly, I'm just a Science student who has a very passionate interest in choral music. But maybe that's a good thing? Maybe an amateur choir singer reading my biography on the Pro Coro website can come to realize that, hey, you just need a passion and willingness to learn in order to do something to love and you don't need international training to accomplish that. Of course, it's great to have the musical training to provide an excellent background, but I came to the realization that it's not the only factor. And that I also shouldn't be ashamed of my musical background since it has gotten me this far. Perhaps I was too quick to write myself off as a total fraud?
I went to the first thing I had available for biography help, a "Singspiration 2011" brochure lying next to my laptop. Inside were five lovely music biographies of guest conductors at this camp. I perused them all. I refrained from being jealous of their content and looked solely at their structure. Using this scaffold, I composed my first biography draft. They all seemed to have the following components: where the artist came from, what they have done, their educational credentials and the places they received them, awards, what they're up to now, and how in-demand they are. Since I didn't have the information to fill out all these sections, I had to substitute with things that I have done. I sent my draft to some friends, and after incorporating their edits and embellishments, I settled on this edition. For the purpose of this blog post, I have used my internet alias "misssable". Feel free to peruse it for yourself :)
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misssable is an avid chorister who was raised within the local Edmonton choir community. During her formative musical years, misssable participated in large number of groups ranging from the Schola Cantorum Junior, Intermediate, and Youth Choirs to the Cantilon Chamber Choir. While in university, misssable was a member of both the University of Alberta Madrigal Singers and the Belle Canto Women's Ensemble. Over the years, misssable has participated in a variety of choral music festivals, both at the local and national level. Highlighted festival experiences include her appearances at the Edmonton Kiwanis and Podium Music Conference, as well as in the CBC Choral Competition for Amateur Choirs. She has also toured extensively to various international festivals, including The National Eisteddfod of Wales, the Béla Bartók Choir Competition, and the Cork International Choral Festival. misssable possesses a Bachelor of Science degree and is currently completing a Masters in Speech-Language Pathology, both from the University of Alberta. In addition to being an active member of both Belle Canto and Pro Coro Canada, misssable demonstrates her passion for the art of choral music as the author of the popular "Choirgirl" blog. She is thrilled to be sharing her love of choral music with the Pro Coro community again this season.
